Carolus Enckell

Helsinki

October 26–November 25, 2018

Carolus Enckell

Adam, 2005

252 x 125 cm / 99.21 x 49.21 inches

CENC_064

Carolus Enckell

Valon synty, 2009

Gouache and crayon on paper

45 x 281 cm / 17.72 x 110.63 inches

CENC_022

Carolus Enckell

Hon, 2010

Gouache on paper

30 x 19 cm / 11.81 x 7.48 inches

CENC_041

Carolus Enckell

Chaos, 2008

Aquarelle and gouache on paper

25.50 x 35 cm / 10.04 x 13.78 inches

CENC_011

Carolus Enckell

Shivalingam, 2013

Aquarelle on paper

77 x 57 cm / 30.31 x 22.44 inches

197GF7446

Carolus Enckell

Keltainen - Gul, 2009-2011

Oil and wax on aluminium, glass, plywood

132 x 120 cm / 51.97 x 47.24 inches

GF 5409

Carolus Enckell

Rooman punainen / Romrött, 1998

Oil on paper and plywood

100 x 150 cm / 39.37 x 59.06 inches

CENC_053

Ikon, 2008
Oil and wax on aluminum
116 x 106 cm

Press Release

Carolus Enckell
October 26–November 25, 2018

Opening on October 25, 2018, 5–7 PM.

 

 


Carolus Enckell (1945–2017) ranked among Finland’s leading visual artists. In a career spanning seven decades, he produced a rich oeuvre of sophisticated, low-key compositions exploring the connections between color, light, perception, seeing and memory. For decades, Enckell’s key preoccupation was capturing a specific spirit of a place, whether inspired by a minimalistic, stylized landscape or a state of mind portrayed as an architectural space.

 

The legacy of modernism was ever-present in Enckell’s art. Borrowing from a tradition of studying two-dimensionality, he was a descendant of the Impressionists in his study of light, which he fused with various facets of the abstractionism, ranging from minimalism to Rothko’s neo-expressionism. His oeuvre is rich in allusions to art history, reflecting his deep interest and love of cultural history: his art incorporates diverse references ranging from Buddhist motifs and North African textiles to the ancient star maps of the Incas.

 

Enckell studied at the Free Art School (1966–69) and subsequently served as one of the school’s instructors, and later also as its dean (1988–95). The Free Art School was an important institution through which Enckell propagated his artistic ideas among later generations of Finnish artists. In addition to serving as editor-in-chief of Taide, Finland’s leading art journal, Enckell was an active commentator on contemporary architecture, a writer of many articles on the links between art and language, and an art ambassador who played a significant role in familiarizing Finnish audiences with American contemporary art. He received numerous awards, including the Helsinki Festival Artist of the year title in 1990, the Carnegie Art Award in 2001 and the Pro Finlandia medal in 2009.

 

Artist CV