Jannis Varelas

The Pomegranate Circus / Under the Chair

Helsinki

November 17–December 22, 2017

Jannis Varelas

Jannis Varelas

Over the Table, 2017

Oil stick, oil, acrylic, acrylic ink, UV ink, pastel, gesso on canvas

210 x 240 cm / 82.68 x 94.49 inches

JVAR_007

Jannis Varelas

Jannis Varelas

Cleaning the Tiles, 2017

Oil stick, oil, acrylic, acrylic ink, UV ink, pastel, gesso on canvas

210 x 240 cm / 82.68 x 94.49 inches

JVAR_010

Jannis Varelas

Jannis Varelas

School Lunch- Break, 2017

Oil stick, oil, acrylic, acrylic ink, UV ink, pastel, gesso on canvas

210 x 240 cm / 82.68 x 94.49 inches

JVAR_005

Jannis Varelas

Jannis Varelas

Noodle Eater, 2017

Four channel video

JVAR_013

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Jannis Varelas

Jannis Varelas

All my things in a Box, 2016

Oil, oil crayon, UV- ink, acrylic ink, api, permanent marker, pastel and gesso on canvas

180 x 240 cm / 70.87 x 94.49 inches

JVAR_018

Press Release

The Greek artist Jannis Varelas (b. 1977) unveils the surprising side of banal elements in everyday life. Playfully fusing abstraction and realistic representation, his paintings explore lived spaces through a myriad of collage-like details. He constructs the reality from fragments: like in archeological excavations, lived moments are presented to us in a seemingly arbitrary composition of random traces. We are shown a lighter lying on a packet of cigarettes, a small stained cloth resembling the head of a mythical creature, food leftovers shaped as a happy face: when seen from a specific perspective, these insignificant remnants suggest a different reality that can open up to a new dimension, full of possibilities.

 

The custom-made pink carpet stretched across the gallery space brings together a series of paintings, a sculpture and a four-channeled video installation. The Great Cleaner is a sculpture that stands as a metaphor for the contemporary Western obsession with cleanliness, which, according to the artist, does not allow for the accidental to define modern narration.

 

In the four-channeled video installation The Noodle Eater, the topography of the living space takes the form of a psychological portrait. One of the video panels features the remembrance of an empty bed, while another panel shows a protagonist eating noodles wearing a cast of Jannis Varelas’ own face. The scene resembles a commercial audition, while the visitor hears a voiceover narrating the chronology of the human species interwoven with that of the history of noodles.

 

The signs and symbols in Varelas’ work resemble automatic painting or children’s drawings, with added dynamism deriving from the artist’s highly physical, expressive technique. His work reflects on social issues and the plight of humanity in world history, but the thematic content is expressed in a web of subtle allusions that spontaneously follow the artist’s irrational trains of thought. Varelas’ work has been exhibited widely around the world at venues such as the Palais de Tokyo in Paris, London’s Saatchi Gallery and the Kunsthalle Wien. The artist divides his time between Los Angeles, Vienna and Athens.