Kristina Riska

FYSIS

Helsinki

May 31, 2020

Kristina Riska

nomoreworries, 2019

Ceramic

135h cm / 53.15h inches

KRIS_010

Kristina Riska

girlwhovanishedtothewood, 2020

Ceramic

70h cm / 27.56h in

KRIS_017

Kristina Riska

facewithagrowth, 2020

Ceramic

130h cm / 51.18h in

KRIS_013

Kristina Riska

speechlessface, 2019

Ceramic

95h cm / 37.40h in

KRIS_014

Kristina Riska

exactmarkings, 2020

Ceramic

138h cm / 54.33h in

KRIS_015

Kristina Riska

bodyinside II, 2020

Ceramic

60h cm / 23.62h in

KRIS_019

Kristina Riska

someofusare II, 2020

Ceramic

KRIS_018

kristina Riska

Kristina Riska

rainonherface, 2020

Ceramic

80h cm / 31.50h inches

KRIS_003

Kristina Riska

someofusare, 2019

Ceramic

105h cm / 41.34h inches

KRIS_004

Kristina Riska

bodyinside I, 2020

Ceramic

90h cm / 35.43h inches

KRIS_005

Kristina Riska

harmonyofgrowth, 2019

Ceramic

135h cm / 53.15h inches

KRIS_007

Kristina Riska

inevitableprogress I, 2019

Ceramic

130h cm / 51.18h inches

KRIS_008

Press Release

Kristina Riska: Fysis
Galerie Forsblom March 20–May 31, 2020
 

Kristina Riska (b. 1960) is one of Finland’s most internationally renowned ceramic artists. Fysis marks her first solo exhibition at Galerie Forsblom. The works in the exhibition form two series. One consists of stylized portraits and figures alluding to the former women’s psychiatric hospital on Seili Island and the patients who were effectively imprisoned there until 1962. Women were often sent to the island on spurious grounds such as their low socio-economic status or counter-normative behavior, such as choosing to remain unmarried or succumbing to burnout. The stories of the women of Seili are interwoven with Riska’s personal experiences of mental illness in her family, underlining how important it is to discuss these issues openly and break taboos in society.

 

The title of the exhibition refers to the ancient Greek word denoting growth occurring in the natural world. The ancients espoused the belief that physis occurs by volition as if plants and beasts willed it to happen without the significant influence of external factors. Some of the works featured in the exhibition are based on this concept, while also symbolizing Riska’s creative process of artistic conceptualization, through which she lifts ideas from cognitive darkness into the light. Chance inevitably plays a major role in ceramics, a medium with a mind of its own in quite a literal sense: in the kiln, the clay changes size and shape, and the glazes can take on surprising tones and textures. The basic forms of Riska’s sculptures are nevertheless carefully planned and crafted.


The thin but sturdy undulating walls of the fragile-looking sculptures are achieved using the coil construction technique: Riska uses her fingers to roll out soft, thick coils which she layers one on top of the other. She then decorates the surface with self-made stencils and glazes. Her monumental vessels are not intended for storing anything, but the interior – and the fact that we can see inside the sculptures – is an integral part of each work.


Riska is a senior member of the Arabia Art Department Society of Helsinki. Her internationally acclaimed, award-winning work has featured in numerous exhibitions from Denmark to the US and Japan. Her sculptures are found in many private collections abroad, and she is also represented in public collections, including the Saastamoinen Foundation and the Swedish State collection.

 

 

3D presentation of the exhibition