Stig Baumgartner

Combinations, Variations and Little Creatures

Helsinki

September 21–October 21, 2018

Stig Baumgartner

Key Figure, 2018

Oil on Canvas

160 x 140 cm / 62.99 x 55.12 inches

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Stig Baumgartner

Woogie, 2017

Oil on canvas

160 x 170 cm / 62.99 x 66.93 inches

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Stig Baumgartner

Ghost, 2018

Oil on Canvas

160 x 158 cm / 62.99 x 62.20 inches

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Stig Baumgartner

Key Figure, 2018

Oil on Canvas

173 x 180 cm / 68.11 x 70.87 inches

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Stig Baumgartner

My Room, 2018

Oil on Canvas

140 x 140 cm / 55.12 x 55.12 inches

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Stig Baumgartner

Combo, 2018

Oil on Canvas

105 x 90 cm / 41.34 x 35.43 inches

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Stig Baumgartner

Nizza, 2018

Oil on Canvas

142 x 141 cm / 55.91 x 55.51 inches

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Stig Baumgartner

Thin, 2018

Oil on Canvas

120 x 100 cm / 47.24 x 39.37 inches

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Press Release

Stig Baumgartner: Combinations, Variations, and Little Creatures

September 21­– October 21, 2018

Opening with the artist in attendance September 20, 2018, 5 ­– 7 PM

 

Traditionally speaking, Stig Baumgartner (b. 1969) paints abstract compositions, for his paintings depict nothing immediately recognizable. They nevertheless have a figurative quality: there is a distinct foreground, a figure, and a background. His style might thus be described as figurative abstraction. His paintings combine two different stylistic devices: organic lines that bring the surface to life, and solid, geometrical forms arranged in angular compositions. His treatment of line is like handwriting, coloring and filling the surface, accenting the painting’s physical presence.

 

Each of Baumgartner’s paintings comprises an equal number of interconnected vertical and horizontal geometrical elements. The vertical-horizontal dialogue is an allusion to contrapposto, the classical rule on how the dimensions of the human body are grouped into a harmonious whole that violates dynamic symmetry. The geometrical elements in his paintings never stand alone; they are always connected, like body parts. The patterns they form on the canvas can alternatively be interpreted as architectural spaces. Their spatiality evokes a connection between corporeality and how we experience architecture.

 

The title of the exhibition refers to mathematics, suggesting how even the most insignificant-seeming form can easily lend itself to becoming a significant motif. Random geometrical forms and free lines are anonymous by nature. Just as geometrical forms occasionally appear as figures with a distinctive character, the linear patterns not only fill the surface of the canvas but also seem to aspire for order and meaning, as if emulating handwriting.

 

Baumgartner’s works are found in Finland’s leading museums, including the Kiasma Museum of Contemporary Art, the Amos Anderson Art Museum and Helsinki Art Museum. He has won awards including the William Thuring Prize in 2011. He completed a Ph.D. in Fine Arts in 2015 and serves as a lecturer in drawing and perception at the Academy of Fine Arts Helsinki.