Kim Simonsson’s latest exhibition returns to the golden age of ceramic art at the turn of the 19th century, when a radical transformation in the French ceramic industry saw pottery recognized as an autonomous art form. Ceramicists began celebrating the simplicity and sincerity of their medium following the tenets of the Art Nouveau and Art Deco movements sweeping Europe. The same visual language can also be seen in Simonsson's new works

Arriving in Galerie Forsblom’s main exhibition space is like stepping into a sculpture gallery of yesteryear. The colossal centerpiece is the imposing Waking Dream sculpture. Scale is a theme that has preoccupied Simonsson for some years now, and his latest pieces are striking in their vast variations in size. By playing with different scales, Simonsson poses the question: how do dimensions affect the essence of the sculpture? The larger-than-life-size adds special resonance to his giant sculptures of children’s building blocks. Simonsson created the oversized blocks during the pandemic when he spent extended periods at home looking after his young twins, prompting him to wonder: who ultimately parents and raises us? 

Oversized dimensions dialed up the impact of Simonsson’s signature Moss People presented at France's 2022 Lille3000 Utopia Festival. The giant, 4.5-meter-tall moss figures were a striking spectacle lining the streets of the downtown. This summer, the same mossy giants will invade the center of Helsinki, taking over the courtyard of Amos Rex.

One of the giants wandered to the gallery's lobby.