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Jesper Nyrén

Compilation

Helsinki

February 15 – March 15, 2019

Jesper Nyrén

Jesper Nyrén

Utan titel nr. 55, 2019

Oil, acrylic and beeswax on canvas

90 x 71 cm / 35.43 x 27.95 inches

JNYR_011

Jesper Nyrén

Jesper Nyrén

Autumn notes, 2019

Oil, acrylic, sand and beeswax on canvas and Lambdaprint on dibond

369 x 33 cm / 145.28 x 12.99 inches

JNYR_016

Jesper Nyrén

Jesper Nyrén

Utan titel nr. 27, 2018

Oil and acrylic on canvas

41 x 33 cm / 16.14 x 12.99 inches

JNYR_017

Jesper Nyrén

Jesper Nyrén

Utan titel nr. 44, 2018

Oil, acrylic, sand and beeswax on canvas

120 x 90 cm / 47.24 x 35.43 inches

JNYR_022

Jesper Nyrén

Utan titel nr. 58, 2019

Oil, acrylic, sand and beeswax on canvas

65 x 50 cm / 25.59 x 19.69 inches

JNYR_014

Jesper Nyrén

Utan titel nr. 41, 2018

Oil, acrylic, sand and beeswax on canvas

210 x 170 cm / 82.68 x 66.93 inches

2018

JNYR_002

Jesper Nyrén

Utan titel nr. 47, 2018

Oil, acrylic, sand and beeswax on canvas

180 x 142 cm / 70.87 x 55.91 inches

JNYR_001

新闻稿

Jesper Nyrén: Compilation

Galerie Forsblom February 15–March 17, 2019

Opening February 14, 2019, 5–7PM.

 

Jesper Nyrén (b. 1979) bases his paintings on nature studies. He resides on an island north of Stockholm, where he gathers materials, studies colors, takes photographs, and jots down notes to serve as raw material for his art, including detailed studies of everything from moss and stones to the shifting quality of the light at different times of the day. Nyrén strives to vividly capture the precise nuances of light at specific times in specific places, convincingly rendering the elemental contrasts of the landscape – sky, sea, and earth. Weaving together found materials and fleeting personal impressions, his paintings are not faithfully copied landscapes, but a synergistic abstraction of whimsy and real perceived impression of reality.


Nyrén’s works consist of stacked blocks. He treats each block as its self-contained monochrome entity, merging with others in a painterly patchwork. Each block is painted differently. Nyrén not only uses a variety of different binding agents and pigments, but he also experiments with a wide array of painterly techniques. Each block is a document of particular rhythmic and content-related observations, all supporting each other as part of a single image in which the artist captures the living presence of the landscape and play of light. The varied sizes, shades and painting techniques of the different blocks come together as a balanced composition, evoking an illusion of movement and spatiality. Nyrén’s paintings symbiotically combine chance and intuition with control and systematic planning.

 


Jesper Nyrén graduated from Stockholm’s Royal Institute of Art in 2007. He has shown his work in numerous solo and group exhibitions in Sweden and Norway, and he has been granted prestigious awards such as the Marabouparkens P.A.N.K award in 2008 and the Baertling Scholarship in 2015. Nyrén has been commissioned to produce several public installations in Sweden.

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