Viewing Room Main Site

Emma Helle

Walking Lake, Burning Heart

November 24, 2023–January 21, 2024

Emma Helle

Noitien saari, 2023

Glazed, Gilded Stoneware

EHEL_138

Emma Helle

The Walking Lake of the Burning Hearts, 2022

Glazed, Gilded Porcelain

EHEL_141

Emma Helle

Spring on Their Own/Kevät itsekseen, 2023

Glazed, gilded stoneware

20 x 29 x 18 cm /8 x 11 x 7 in

EHEL_142

Emma Helle

Green Man Kiss/Metsä suutelee, 2023

Glazed, gilded stoneware

80 x 39 x 32 cm /31.50 x 15 x 13 in

EHEL_147

Emma Helle

Cernunnos lapsena, 2023

Anagama stoneware, glazed, gilded

57 x 36 x 24 cm /22 x 14 x 9 in

EHEL_139

Press Release

Emma Helle: Walking Lake, Burning Heart
Galerie Forsblom, November 24, 2023–January 7, 2024

 

Two kinds of metamorphosis take place in Emma Helle’s latest sculptures: the human figures stand motionless, perhaps on the verge of turning into trees, while the landscape-like clouds and bushes have sprouted limbs as if they were attempting to carry the space. The static figures stand watch like gentle sentinels, benevolently protecting and caring for everything around them. The physical contours of the dynamic figures meanwhile melt and fluidly coalesce with their surroundings. The clouds may drift and the landscape may change, but the movements of the mind follow the wanderer. The rippling lake is an emotional landscape with an irresistible pull.

 

Lush, thriving vegetation entwines itself around human figures in Helle’s sculptures. The plants cling to the space and the figures, supporting them and themselves being supported. Humankind and nature coexist in perfect synergy, nurturing each other. The sculptures hark back to prehistoric times before humans upset the balance of nature. Helle’s sculptures pose the question: Could a new balance be regained in the post-Anthropocene?

 

The luxuriant figures in the sculptures serve as reminders of the ongoing flow of life. Referencing art history, their voluptuous corporeality slides from masculine to feminine, while their free flow and abandonment of defined contours anchor them in the contemporary moment. Their entangled symbiosis foregrounds the diversity of human relationships. Is friendship ultimately so very different from a love relationship?

 

Emma Helle (b. 1979) graduated from the Finnish Academy of Fine Arts and her work is found in private collections as well as the collections of HAM Helsinki Art Museum, the Museum of Contemporary Art Kiasma, the State Art Deposit Collection, the Sara Hildén Art Museum, Saastamoinen Foundation, Wihuri Foundation and Pro Artibus. She has held numerous solo exhibitions at venues including Turku Art Museum, and she has participated in group exhibitions at the Boston Museum of Fine Art, Stockholm’s National Museum, the Mänttä Festival, Kunsthalle Helsinki and EMMA – Espoo Museum of Modern Art.

 

With thanks to:
Art Promotion Center Finland (Taike)
Siiri Korhonen (wood)
Aj Kosonen (glazes)
Glass & Ceramics Center Kuu 

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